Novelist, emergency room doctor, essayist, poet —
Frank
Huyler is singular among writers. His
second novel, Right of Thirst,
was
released to rave reviews
this spring. UC Press has just published a new paperback edition of Huyler’s
first book, the 1999 classic Blood of Strangers.
We sat down with Huyler to talk about medicine, writing, and health care in
America.
When Blood of Strangers was first published, narrative books on medicine were pretty rare. What interested you in the process of writing a first person account of the field?
It wasn’t calculated.
I’d written poetry pretty much exclusively when I was younger, but
during my residency I realized that there were stories of great power
everywhere around me. So much
medical writing is cerebral and distant, but the experiences I was having were
the antithesis of that, to the point where the analytical intelligence hardly
seemed to apply. I wrote them down
as I experienced them, or perhaps more accurately as I remembered them.
Do you think the popular perception of doctors has
changed in the past ten years?
Well, it hasn’t gotten better. Doctors are increasingly seen as employees, as cogs in the
machine, and to a great extent we are.
It’s still a privileged profession, but it’s safe to say that it lacks
the grand authority of the past.
What do you think of the increased number of personal
memoirs and reflections on medicine that have come out since The Blood of
Strangers?
It’s an interesting phenomenon. Partly it’s because of the drama inherent in the material,
which television has taken full advantage of, and partly it’s because the
public is both terrified and fascinated by the realities of illness and death
that are so often denied or contextualized by popular culture. Deep down we all know it’s there, these
sorts of books are windows into it, and we want to look.
Do you have any thoughts you'd like to share about health
care reform, either on the small or large scale?
That’s a huge subject, but the bottom line is that our
current system is immoral and appalling for a country as rich as ours. With the exception of the very young
and the very old, we have decided that health care is a commodity rather than a
right, and the consequences for those at the bottom are both brutal and cruel
in virtually every way. Yet the
system is also deliberately inoculated against the efficiencies that a true
free market might create.
Your new novel Right of Thirst has just come out. How was
the transition from memoir to fiction writing?
Certainly there is a difference between recounting lived
experience and generating a purely imagined world, but that difference isn’t as
great as one might think. One
always makes choices in what to say and how to say it. Nonfiction is easier, in the sense that
it requires less imagination, but it’s not a categorical distinction, at least
for me.
Do you still collect stories from your practice?
Not formally.
But I didn’t with The Blood of Strangers, either—I simply wrote down
what I remembered. In a way that
served as a filtering device: what stood out in my mind were the stories that
had the greatest effect on me.
Does being a writer have any effect on your practice or
perspective of being a doctor?
Writing is a means through which I try to make sense of the
events I see and am part of, but I don’t think it’s helped me be a better
doctor.
There’s a lot to be said
for limited reflection in the clinical world, because medicine is above all
else practical work.
It’s what you
do that counts, not what you think.
The Blood of Strangers is still widely read and still
taught in medical schools throughout the country. What about it do you think
keeps it so relevant?
It’s hard to know, of course, but I think it’s because I
tried to be true to the experience, to the immediate moment, and to let the
stories speak for themselves. I
tried not to get in the way, if that makes sense. And the stories could take place anywhere, really, at any
time. So it’s not the kind of
thing that easily becomes dated, or at least I hope not. Whatever the reason, it’s great to see
that it’s still being read.
Have you read anything lately that you've especially
enjoyed?
I read a lot, and there are many books I enjoy. If I had to pick a single relatively
recent book it would be Austerlitz by WG Sebald, who was killed in a
motor vehicle crash a few years ago.